Eduardo Cadava teaches at Princeton University. He is the author of Words of Light: Theses on the Photography of History (1997), Emerson and the Climates of History (1997), and, with Fazal Sheikh, Fazal Sheikh: Portraits (2010). He also has co-edited Who Comes After the Subject? (1991), Cities Without Citizens (2004), a special issue of SAQ entitled And Justice for All?: The Claims of Human Rights (2004), and The Itinerant Languages of Photography (2013). He recently has co-translated and introduced Nadar’s memoirs, When I Was a Photographer (2015), and his book Paper Graveyards: Essays on Art and Photography is forthcoming from Princeton University Press.